By contrast, in the present, when they are more serious and weighed down by life, they are instead clouded by an icy blue. In the past, when the March sisters were depicted as more carefree and joyful, they were bathed in a warm orange. This distinct use of color not only helps the audience to follow the non-linear storytelling, but also to further understand the emotional landscape on display. The blue that colors the present is significantly colder, and serves to represent the harshness of adulthood and growing up. Orange, often associated with warmth and energy, envelopes the March family’s much happier childhood. In Greta Gerwig’s 2019 remake of Little Women, the past and present are split into two intertwined timelines with distinctly colored filters the past being orange and the present being blue. The repetition of the color red adds to the tragic romance that takes place on the screen by acting as a non-verbal vessel for their doomed love story. The color red is frequently used to represent their slow-burn romance, whether it be Su Li-zhen’s sensual cheongsam to accentuate her body, or Chow Mo-wan’s brothel-like silk curtains. Despite their relationship being somewhat masochistic, with the two characters often roleplaying as their cheating spouse, they fall deeply in love. In the film, Su Li-zhen,( played by Maggie Cheung), and Chow Mo-wan, (played by Tony Leung), strike up a love affair built on their mutual loneliness. Whilst it could just be that Wong really likes the color red, when examining the narrative, it becomes evident that its repeated appearance adds something to the story. In Wong Kar-wai’s In the Mood for Love, the color red is used extensively. There are exceptions to this rule, however, such as numerous films that use certain colors to mean one definite thing. How we perceive certain colors comes from our own experiences and perception of reality. In fact “color is not objective but a subjective creation”. To fully understand why colors excite such emotional, and sometimes even physical reactions, one must understand that it is not an exact science. For example, the color red is commonly associated with passion, love, and desire, but also anger, aggression, and violence. When we see a certain color, we react to it emotionally, both because of what the color itself evokes, and what personal and emotional backstory we have that relates to said color. Although color psychology research is largely neglected, it has been discovered that colors stimulate the human brain. Not only was color believed to have magical properties, but it has also been found by psychologists to be capable of impacting our emotions. According to Faber Birren, since the dawn of civilization, people have believed that color holds divine meaning. However, that doesn’t mean that these choices don’t hold value.Ĭolor has always had significant meaning in human society. These three simple concepts are adopted to determine which color is used when. This explains the difference between light blue and dark blue. A color’s lightness has nothing to do with the other two concepts instead, this affects how light or dark the specific hue is. After that comes lightness - this can also be referred to as tints or shades. This refers to the dominance of the hue and how rich the color is. The next concept is saturation, or, “the intensity of the color that doesn’t change how light or dark the color is”. This means that red is red, and purple is purple. The easiest place to begin is hue, or what the color is. To determine the meaning behind colors in film, a basic grasp of color theory is useful. To fully explore the role of color in film, we can examine a selection of films with distinct color palettes, in order to understand what they add to the emotional and thematic atmosphere. Based on color theory, color psychology, and film theory, the specific colors used in a film convey particular emotions which serve each story. The colors chosen at this moment are not only important to the film’s overall visual aesthetic, but also to the emotions they might add, to enrich the narrative. One of the most important tasks of the cinematographer is to decide a film or television show’s color grading, or color palette, which is enhanced in post-production. One of the most underrated and important jobs on any film set, comes from the mind of the cinematographer - head of the camera and lighting crews, and responsible for the overall visual aesthetic. In order to make a film, many different creative minds must come together.
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